Star Wars: Nguvu Awakens Tathmini

Star Wars: The Force Awakens Review

 

Powered by Guardian.co.ukMakala hii yenye jina “Star Wars: Nguvu Awakens mapitio - kuvutia homecoming” iliandikwa na Peter Bradshaw, kwa theguardian.com Jumatano Desemba 16 2015 08.02 UTC

Ni hapa - halisi Episode Nne! Kutoka dakika ya kwanza wachache, au hata kwanza muafaka chache, JJ Abrams ya kusisimua, kuvutia na seductively wasio na hatia Star Wars: Nguvu awakens inaonyesha yenyewe movie katika roho ya trilogy asili, ambayo iliishia kwa Kurudi kwa Jedi katika 1983. (Hii moja inachukua hadi hadithi 30 miaka ya baadaye.)

kitaalam, bila shaka, kwamba alikuwa reconfigured kama Episode Six, lakini Jeshi la awakens hufanya kusahau kuhusu redundancy na pedantry ya prequel trilogy-waliokuja 15 miaka ya baadaye. Ni kutayarisha comedy kwamba Phantom Menace kutelekezwa. Nguvu awakens ni katika kuwasiliana na nguvu ya action-adventure na furaha. vidogo My tu reservation, ambayo mimi kupata nje ya njia sasa, ni pamoja na vidogo droid mpya ambaye ana kidogo ya Scrappy-Doo Vibe juu yake.

Nguvu awakens re-akaamka upendo wangu wa movie kwanza na akageuka fanboy yangu ndani katika fanboy yangu nje. Kuna filamu wachache sana ambayo kuniacha facially nimechoka baada ya grinning kwa 135 dakika, lakini hii ni moja. Na wakati Han Solo na Chewie kuja juu, Mimi nilikuwa na hisia katika sinema Mimi si alikuwa tangu nilipokuwa 16: bila kujua kama kupasuka ndani ya machozi au ndani ya applause.

Watch trailer mwisho

JJ Abrams na mkongwe ushirikiano mwandishi Lawrence Kasdan tumemuumba filamu ambayo ni wawili simulizi maendeleo kutoka mapema filamu tatu na shrewdly affectionate ijayo-gen reboot ya awali 1977 Star Wars - Badala katika mtindo wa wake kubwa re-Kufikiria ya Kirk / Spock Star Trek. personae ukoo, hali na silaha itaonekana kama inashughulikia au remixes, na maskor na storylines mpya. Ilani hii itakuwa nafasi salama, kwa bahati, na trigger onyo tu kwa pointi msingi njama na vifaa tayari katika miliki ya umma.

sinema ya awali walikuwa daima kuzingatia uhusiano zaidi ya ajabu ya dysfunction binafsi na familia: motor ya hatia, aibu na migogoro. Luke ilikuwa inaendeshwa na inazidi tata Freudian animus dhidi Darth Vader; Han Solo inajulikana Milenia Falcon kama "yeye"; watazamaji kiume walikuwa na moyo wote ili kubaini na Luke na kwa Abimeleki juu ya Princess Leia katika yake outrageous dhahabu Mtumwa bikini - na kisha, na exquisite simulizi sadism, tuliambiwa walikuwa ndugu na dada. uchungu hii yote ni waliozaliwa upya katika Jeshi la awakens: contortions mpya ya hofu na nyeusi-Comic mkanganyiko kukiwa romance na msisimko.

nyota kuzungumza juu ya carpet nyekundu katika LA PREMIERE ya Jumatatu

Luke imekuwa maarufu kukaa mbali na bango kwa ajili ya filamu hii, ambao ulisababisha mimi hofu kwa mara ya kwanza kwamba katika kipindi cha 30 miaka, kama Atticus Finch katika Harper Lee Go Kuweka A Watchman, amegeuka kwa upande wa giza. Inatosha kusema kwamba Luke, alicheza na sasa marakaraka Mark Hamill, ni potent lakini unwontedly enigmatic uwepo.

Princess Leia sasa Mkuu na bado ni shujaa malkia wa upinzani – kali na zaidi grandmotherly takwimu. nguvu za giza ni resurgent katika mfumo wa Amri ya kwanza, dhamira ya kuanzisha upya udhibiti zaidi waziwazi umabavu, na nusu-Nuremberg mikutano ya kampeni. Ranged against them are new fighters for good. There is Rey, a resourceful survivor on the remote planet of Jakku, who feels destiny within her: she is played by newcomer Daisy Ridley with the brittle determination of a young Keira Knightley. British actor John Boyega plays Finn, a former storm trooper who seeks redemption through betraying his evil masters.

This brings me to the terrific performance from Adam Driver as Kylo Ren, the new Dark Lord with a terrible secret. He is gorgeously cruel, spiteful and capricious – and unlike the Vader of old, he is given to petulant temper tantrums, with his lightsaber drawn, when uniformed subordinates have the unwelcome task of telling him of some new, temporary victory for the Resistance. Driver’s almost unreadably droll facial expression is very suited to Kylo Ren’s fastidious and amused contempt for his enemies’ weakness and compassion. There is a brilliant moment when he uses the telekinetic power of the Force against a laser shot.

Watch the second trailer

The lightsaber contests themselves are of course more athletic than in the 70s and 80s but also somehow more humanly interesting: Rey herself needs no condescending advice from men either on unarmed combat or flying the Millennium Falcon.

JJ Abrams has an instinctive sympathy for the classic Star Wars landscapes and lays them out with élan: the switch from galaxies to shadowy forests and of course vast rippling deserts. In almost her first appearance, Rey is seen tobogganing down a huge dune on a sled made of rope. For me it’s a reminder that though the first Star Wars was avowedly inspired by Kurosawa’s The Hidden Fortress, I think it originally derived its look from David Lean’s Lawrence of Arabia or even the dreamscapes of Dalí.

But of course this film is part of an entertainment world so huge it need refer only to itself. The Force Awakens does not, in the way of other franchises, feel the need to be “dark” – having of course repudiated the dark side. It basically powers along on a great surging riptide of idealism and optimism, that family-movie ethic which some have derided for killing off the dystopian tradition of sci-fi. Kwa kweli, Star Wars has now gone beyond the sci-fi genre to its own kind of intergalactic quasi-Arthurian romance: that and a return to the world of Saturday morning pictures. The Force Awakens is ridiculous and melodramatic and sentimental of course, but exciting and brimming with energy and its own kind of generosity. What a Christmas present.

• Star Wars: The Force Awakens is released in the UK and Australia on 17 December and in the US on 18 Desemba

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