star Wars: Vis excutit Review

Star Wars: The Force Awakens Review

 

Powered by Guardian.co.ukHic titulus “star Wars: Vis excutit Review - Donec a spectacular” scriptum by Lucian, on November 16th, quia theguardian.com 2015 08.02 UTC

Sed hic - rerum Episode IV! A pauci minutes in primum,, vel etiam in primis tabulae erunt, JJ Abrams scriptor suscito, et iustum est spectacular seductively Star Wars: Vis in spiritu prima luce apparet elit trilogiam, qui, cum complesset Convertimini de Jedi in 1983. (Haec fabula accipit sursum 30 annos.)

technice, utique, quod reconfigured quod Episode VI, sed vim suscitat vos oblivisceris, et quasi morositate nugatio est prequel trilogy quod factum est, 15 years later. Restituit, quod de comoedia Phantom Menace relicta. Vis excutit in tactu et vi actionis-valebat amet. Exceptis tantum parvus meus, Repetam nunc quod in itinere, qui est cum a vegrandis frenum of a droid New-Doo Scrappy vibe eum.

Vis re-evigilavit amor excitat et primae elit meam in atrium interius Fanboy Fanboy. Pauci sunt qui membrana facially exhaustis ridetis derelinquas me 135 minutes, sed hoc est,. Et cum Han Solo, et venit in Chewie, Ego autem non sum, quia passio est cinematographico 16: flevit aut nesciens an laudare.

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Creavi et veteres co- Press JJ Kasdan amet auctor Laurentii narrationem quae tam callida et progressionem tres membrana superiore proximo pium reboot de Gen. original 1977 star Wars - Eius magis ad morem tanta re-imaginandi Kirk of / Star Trek Spock. nota personae, et erit sicut res arma clypeum et Remixes, et cerva in novo storylines. Hoc edicto locum tutum fore, per accidens,, cum a basic consilium solum monet trigger puncta et materialis, iam in publicum.

Movies semper ortus ex summa Praesent vitae et familiae nexa: culpam in motor, et in confusionem certamen. Luke repulsus animus in a magis intricatae Freudian Darth Vader; Millenium Falcon Han Solo, ad quod "et"; et apud Lucam, ad eandem spectantibus sexus sunt, et consolatus est super Lech Filia Regis Leia, aurum ad facinus, in se servum, bikini - tum, summa narratio sadism, nuntiavit autem et fratres mei. Hoc est, regeneratur, in dolore vis excutit: New-nigro et metu torsit absurdum inter comici et tumultus Romanorum.

Monday loqui contra eos stellae manentes in rubrum tapetia inlustribus la

Luke peregrinamur a poster pro film fuit famosius, ut metu primo quo ad preteritum 30 annis, sicut Cicero in Harper Lee Finch vade et pone speculatorem, cum autem perambulasset partes atra. Satis est quod Luke, iam psallebat per uarios Mark Hamill, sed potens est in vultum unwontedly aenigmatica.

Regina Principem Leia bellator est imperator et resistentiae – a durior et magis figura grandmotherly. Tenebris vis resurgent primi ordinis in forma, intentus re-fascist et imperium constituendum magis ingenue, et coacervabit quasi Nuremberg. Contra eos qui procul novum bellatorum in bonum. Est Rey, in remotioris a viribus superstes of planetae Jakku, sentit in se, qui finis: lusit per Ridley Daisy est advena in determinatione fragilis iuvenis Keira Knightley. British fabulas histrio John Boyega Finn, alterum armatum, qui a tempestate Geraestico redemptionem per quaerit malum domini sui.

Haec enim mihi ad terrificum, sicut effectus ex Adam Driver Kylo Ren, novum Tenebrae a terribilis secretum Domini. Crudelis est et veste pretiosa, malignis et mobilitate - et sicut Vader in veteres, petulantia ingenia detur irarumque, quae cum lightsaber, paludati subiectis odio habent, illi enuntiare, cum aliquid novi, tempore resistentia pro victoria. Driver’s almost unreadably droll facial expression is very suited to Kylo Ren’s fastidious and amused contempt for his enemies’ weakness and compassion. There is a brilliant moment when he uses the telekinetic power of the Force against a laser shot.

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The lightsaber contests themselves are of course more athletic than in the 70s and 80s but also somehow more humanly interesting: Rey herself needs no condescending advice from men either on unarmed combat or flying the Millennium Falcon.

JJ Abrams has an instinctive sympathy for the classic Star Wars landscapes and lays them out with élan: the switch from galaxies to shadowy forests and of course vast rippling deserts. In almost her first appearance, Rey is seen tobogganing down a huge dune on a sled made of rope. For me it’s a reminder that though the first Star Wars was avowedly inspired by Kurosawa’s The Hidden Fortress, I think it originally derived its look from David Lean’s Lawrence of Arabia or even the dreamscapes of Dalí.

But of course this film is part of an entertainment world so huge it need refer only to itself. The Force Awakens does not, in the way of other franchises, feel the need to be “dark” – having of course repudiated the dark side. It basically powers along on a great surging riptide of idealism and optimism, that family-movie ethic which some have derided for killing off the dystopian tradition of sci-fi. In facto, Star Wars has now gone beyond the sci-fi genre to its own kind of intergalactic quasi-Arthurian romance: that and a return to the world of Saturday morning pictures. The Force Awakens is ridiculous and melodramatic and sentimental of course, but exciting and brimming with energy and its own kind of generosity. What a Christmas present.

• Star Wars: The Force Awakens is released in the UK and Australia on 17 December and in the US on 18 December

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